Insurance & the Academy Awards


movie film reel and popcornWhile insurance doesn’t feature too prominently in any of this year’s Academy Award nominees, Tom Hanks does star as an insurance lawyer in Bridge of Spies. There’s a lot of competition this year so although it’s nominated in several categories, it isn’t heavily favorited on most critics’ lists.

Even when insurance doesn’t play prominently in the script, it is a vital behind-the-scenes component of any film. The Insurance Information Institute weighs in with The Role Insurance Plays in Movies. You can also see our prior post on Behind the scenes: the film industry is risky business. Speaking of risk, one film that elicited a fair amount of criticism: ‘Revenant’ Shoot Didn’t Take Crew’s Safety Issues “Seriously,” Says Union Rep. Actor and crew safety has been on the minds of many since the 2014 – see: Death on a Georgia Railroad Trestle Sparking Calls for Safety Reforms in Hollywood.

Insurance & the Movies

If you just can’t get enough of insurance-themed films, here are some suggestions:

And for those of you who’d like a deeper diver into the behind-the-scenes business of insurance, risk management & the movies, here’s a reading list:

Behind the scenes: the film industry is risky business


Insuring FilmsWhen the Academy Awards take place this weekend, it’s unlikely that any of the winning actors or producers will be thanking their insurers from the podium – yet insurance is a vital behind-the-scenes component in the business of making successful films. It’s one of the key factors in ensuring that “the show must go on.”

At a film industry event last year, a Lloyds’ panel spoke about insuring film and television productions, noting that the industry requires insurance to protect against production delays, damaged equipment, accidents and natural disasters, to name a few common risks. Lloyds’ panelists identified the biggest risk:

“The majority of claims come from cast or crew non-appearance, according to Elliot. The financial cost of losing a lead actor or director can be enormous. Elliot cites the case of a film production in Europe where the director suffered an illness during the production and post-production phases resulting in an insurance claim of around $2.3m.”

At Fireman’s Fund Insurance 150-year mark, Richard Verrier of the Los Angeles Times looked at the insurer’s century of work in the film industry, and how the company helped keep the cameras rolling.

“Fireman’s Fund covers about 80% to 85% of the $200 million or more in policies Hollywood spends each year to insure movies and TV shows. Premiums range from 1% to 4% of a movie’s budget, meaning that a $200-million movie may spend at least $2 million on insurance coverage.”

The company said that in 2012, the average claim paid to a film or TV producer in 2012 was $60,651, But some were substantially more:

“When Audrey Hepburn fell from a horse while making “The Unforgiven,” her resulting back injury delayed filming of the 1960 John Houston movie. Fireman’s Fund paid more than $240,000 to cover the losses.

“Spartacus” was more costly for the insurer, which paid $245,000 for delays caused by an emergency operation for actress Jean Simmons, $53,000 for star Kirk Douglas’ viral infection and $335,000 for co-star Tony Curtis’ severed Achilles tendon.

But its most expensive claim was for “Wagons East.” Fireman’s Fund paid about $15 million when star John Candy died in 1994 during production in Durango, Mexico.

The insurer paid a $7-million claim after Patrick Swayze fell off a horse and broke his legs during filming of the 1998 crime movie “Letters From a Killer,” Diaz said.”

Enjoy the Academy Awards this weekend. Insurance nerds who miss the recognition of the behind-the-scenes role their industry plays might enjoy some of these insurance related films:

The votes are in for the riskiest film of 2010


For film fans, all eyes were on Hollywood last night as the annual Oscar Award winners were named. For those of us in the insurance business, every year we also wait for another award, one that doesn’t get as much public acclaim: the announcement of the year’s riskiest film.
~ Drumroll ~
…and the year’s riskiest film is: Salt, a film about a CIA agent (Angela Jolie) accused of being a Russian spy. The pick was made by Fireman’s Fund Insurance, who ought to know because they underwrite about 80% of the US film business. This includes providing insurance for a star who liked to do her own stunts to liability for damages at filming locations, and everything in between. According Chad Hemenway’s report in PropertyCacualty360, action films are always a pricey proposition — and films with animals also carry a high degree of risk.
In American Agent & Broker, Melissa Hillebrand offers a fascinating behind-the-scenes look at insurance and film-related risks. And for more on insurance matters, Hollywood style, see our post from 2010: Risk, insurance & the movies.